The goal of the Ozymandias Project series is to document the transitionary period of cultural artifacts into newly pragmatic spaces. Titled after the Percy Bysshe Shelley sonnet of the same name, the procedure for art-making in this project required multiple informed pilgrimages to what the artist has dubbed “blank-sites”: locations chosen for their past social relevance or prospective cultural vitality, as informed by their prior peak times of activity and with a dedication to photographing them from a variety of both intimate and commercial angles.